A lengthy sit-down video interview with Jess Franco and Lina Romay (the cutest couple in showbiz) that rambles over Franco's entire career (pre-1991) as well as following many conversational tangents. Lengthy discussions of the film business, and Franco's directorial approach and craft. Franco reveals himself to be a man of real taste, vastly preferring Beatty's Dick Tracy to Burton's Batman, and offers some intriguing opinions – for instance, he wishes that his early B&W films would be colorized, because he only made them in B&W to save money.

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A behind-the-scenes look at the creation of "Blind Target", Jesus Franco's story of a woman who becomes a celebrity in America with her exposure of the corruption in her home country, only to be taken prisoner by the same people she tried to bring down when she returns there. Includes interviews with the director Jess Franco, as well as footage of all the work that went into the film.

Rick finds out that his father has murdered his whole family, even Rick himself...

A creature, comes to earth to tear apart worthy human beings. Administering a drug that makes his victims bodies become mechanical, The Creature retrieves the needed parts and blood, to take back to his home, for use.

She was in the lift. Then he joined her...

The story of a superhero and her insecure boyfriend.

Silas Croft was a kindly old Englishman who had a farm in South Africa. With him resided his two nieces, whom he had taken from their drunken, worthless father when they were of a tender age. Jess, the elder, was brilliant and educated; Bess, the younger was beautiful, but frankly admitted that she did not possess the mental attainments of Jess. The two were great friends, and Jess, although the senior by only three years, had almost a motherly affection for her pretty little sister. Croft, finding old age stealing upon him, advertised for a partner, stipulating that he must be a gentleman. Probably it was his secret idea that the right man might come along, and fall in love with his favorite, beautiful Bessie. Captain John Neil, an English army officer, who had found his income insufficient to support him in his profession, heard of the business opportunity and accepted it.

Franco and Roberto, both photojournalists with different perspectives, witnes the violent repression of a young man in a political event. Franco photographs the incident but elements of the candidate's security discover him. Roberto will have the possibility of saving his friend's life risking his own safety.